Showing posts with label egyptian. Show all posts
Showing posts with label egyptian. Show all posts

Wednesday, December 10, 2014

Interstellar: A Synchromystic Movie Review


Of course this will not be a typical movie review of Interstellar.  This is the synchromystic version.


The Good:  Overall it was a solid film with an interesting take on Love as a force of nature and Time as a physical construct.  The depiction of a 5-D world was pretty awesome. Jessica Chastain's performance as the adult Murphy was heartwrenchingly believable and utterly relatable (I think she's really the one who brought the movie home, not Matt McConaughey).

The Bad:  It wasn't strikingly original in that it borrowed heavily from a huge number of movies other than 2001:ASO (most notably Signs, Contact, and Event Horizon, but also Field of Dreams and Titanic...yes, Titanic).  The first hour was slow and there were tons of plot holes, The audio was weird (sometimes it was hard to hear the dialogue over the background noise). Anne Hathaway's acting...insert frowny face symbol here.

Instellar's cool depiction of 5D time and space.

With that said, this film can not be properly analyzed without gleaning the underlying meanings woven into its script.

First, let's go ahead and get the mythology out of the way, starting with the corn.  Corn abounds in Interstellar. Dystopian farmers work acres upon acres of corn fields and NASA is housed in an underground corn bunker.

Cooper and daughter Murphy standing in front of their corn field. 

And, since it's the only plentiful food source left on Earth, we see the Cooper family eating meals consisting of all-corn dishes—corn casserole with a side of corn fritters to be exact. Yuck, if you have to eat that everyday.

1. The Mythology of Corn

Corn growing out of the body of Osiris

The ancient Egyptian's regarded their god Osiris as a corn god.  For them, the death and rebirth of the god was personified in the annual growth cycle of the corn crops.

2. The Mythology of Okra

Shango  is the Yoruba African god of storms. One of his favorite ritual feast foods is okra. Quentin Tarrantino drew on the myth of Shango for his movie Django Unchained.

At one point in Interstellar a farmer burns the last okra crop, then towards the end of the film Cooper's daughter Murphy burns down the corn fields. This could be interpreted as a rebellious act of rejecting ancient spiritual wisdom in favor of technology.

An adult Murphy setting the corn fields on fire in Interstellar

Honestly, I think Interstellar may have been Nolan's answer to Tarrantino's Django Unchained (note: that movie ends with Django burning down the Candyland plantation).

Murphy after burning the corn fields (left); Django after burning down Candyland (right).

3. The Mythology of Osiris and Isis

Osiris and Isis

We've already discussed how Osiris was a corn god.  This brings us to the famous Egyptian myth of Osiris, Set, and Isis. In short, Osiris' brother Set seals him in a coffin until he suffocates (note: he can't breathe) then throws the coffin in the Nile River. Osiris' wife Isis eventually finds the coffin where it landed in a tree and resurrects him, but then Set kills him again by chopping him up into pieces.

Isis is often equated with the goddess Hathor. Thus, actress Anne Hathaway (Hathor-way) plays Dr. Amelia Brand who is the Isis character in the movie.

Anne Hathaway as Dr. Amelia Brand

I suppose Hathaway's archetypal resonance somewhat makes up for her dull acting in this role. According to the myth, Isis impregnates herself with Osiris' sperm post-mortem to continue their bloodline which explains why Brand/Isis is in charge of the artificially inseminated eggs on the ship.

The character Romilly (played by David Gyasi) represents the original Osiris. He was also clearly meant to embody the memory of Ronald McNair, the African American astronaut who died in the 1986 Space Shuttle Challenger explosion.

Romilly (David Gyasi), left; Astronaut Ronald McNair, right.

But it's kinda hard to feel warm and fuzzy about that since Nolan blows him up...again...in the movie. Holding true to the myth, I guess that's one way to portray Osiris getting divided up into bits.

Before that though, there's a scene where Cooper and Brand/Isis stand over Romilly/Osiris as he gets sealed into the ship's casket-like cryogenic sleep chamber.


The myth remains intact until the point when Brand/Isis ends up turning the valve to release, not Romilly, but Dr. Mann (played by Matt Damon) from the same kind of coffin/sleep chamber.

Brand and Cooper preparing to open Dr. Mann's cryogenic sleep chamber.

Therefore we are shown Brand/Isis "resurrecting" a new Osiris in Mann while the "old" Osiris, Romilly, stands by watching helplessly and is killed by Mann in an explosion shortly thereafter (Note: Romilly is also literally old in appearance and balding since he aged 23 years waiting for Cooper and Brand to return from their expedition.)

I was left feeling some kind of way about the ambiguous relationship between Romilly and Brand since before he died she sprung on him that she was in love with one of the original 12 astronauts from the previous mission named Edmunds. The myth veers off course here with Isis, supposedly the faithful wife and widow of Osiris, looking more like a trifling cheater.

Brand having an intimate moment with Romilly.

Dr. Mann represents mankind stuck and frozen in the fourth dimension longing to evolve to the fifth (note the label on his cryo-chamber reads "MANN-4").  However, he quickly proves unworthy to be the new Osiris due to his lying and treachery.

Mann tries to kill Cooper by cracking open his space helmet and leaving him to suffocate (note: he can't breathe).  But Brand flies to the rescue and resurrects the dying Cooper to become the newest new Osiris (just as Isis turns herself into a bird and copulates with the dead Osiris to save his seed in myth).

Isis in her bird form "raising" the dead Osiris

Sync Fact: Matthew McConaughey (who plays the role of Cooper) is no stranger to Osirian mythos. In case you haven't seen it, the entire 2012 film Mud is a retelling of the Egyptian saga.


McConaughey stars as a guy hiding out in a boat (read: coffin) that floated down a river and landed in the top of a tree (sound familar?). Furthermore, Nolan said he chose to cast McConaughey after seeing him in an early cut of Mud.

The boat stuck in the tree symbolizes Osiris' coffin in a scene from the movie Mud.

So there you have it.  The film Interstellar is less about reigniting an interest in space exploration and more a reworking of the mythological trope of ancient gods and goddesses battling for control of the universe.

As such, there is almost something sacrilegious in the burning of the corn fields at the end of the movie.  It's as if to say, we don't need to honor the indigenous people of the Earth, their knowledge, or traditions because, hey, we sling-shotted ourselves uninvited into sacred darkness and solved the problem through technology and true grit GRRRRR!


To which I simply ask, how is the hubris of that train of thought any different than Dr. Mann's selfish folly?  It isn't. Plus there's the way the men overrode Brand's feminine spiritual love instinct to follow faulty human logic instead. And that's why I believe mankind on Earth in Interstellar failed to get inducted into the Galactic Federation for the fourth time. Bummer.

There has been a bit of controversy over the lack of minority roles in the movie, particularly black females. However, I posit that may be because, in a sense, there is one gigantic black female eclipsing the entire film...the black hole itself.

The beautiful black hole in Interstellar, or as I like to call her, The She.

The black hole serves as a symbol of the divine feminine, the Dark Mother. Case and point, the ejaculating noises Cooper makes as he "enters" the black hole.  If you're still in doubt see the movie Event Horizon where there are also no black female roles, but the black hole gushes blood like it's giving birth after the phallic ship enters it.

An interesting theory is floating around that Cooper actually died after he ejected into space without ever reaching the black hole, and the events that transpire afterward are nothing but manifestations of a death dream.


I'm going to take it one step further and say Cooper actually suffocated to death on Dr. Mann's planet and everything occurring after that were manifestations of a death dream.  As proof, I submit the scene where Cooper is ushered into his 93 year-old daughter Murphy's hospital room.

A nurse tells Coop his whole family has been waiting for him. When he enters the room the family has their backs to him before turning to face him.

That scene was ripped straight out of elderly Rose's death dream scene at the end of Titanic where she reunites with Jack who hasn't aged just like elderly Murphy reunites with her father Cooper who hasn't aged.


Nolan famously used a similar plot device in Inception by hiding the faces of Cobb's kids until the end of the movie to indicate they may have been dead and/or that Cobb may have still been dreaming.  Note: Cobb's kids were also a boy and girl the same as Cooper's kids. (corn on the) Cobb=Cooper.

---Read Boston Mag's cool comparison of Interstellar vs. Inception
---Read how Inception's Dom Cobb also represented the corn god Osiris at The Mask of God

The takeaway:  The Universe as personified by the Triple-Black Hole (whole) Mother Goddess doesn't give a shit about material and physical things nor the blasé human concept of death.  Love is all there is, was, and ever will be. Love is the strongest force imaginable. As the movie's title suggests, this is an INTERnal struggle for us. Until mankind learns to accept, hone, and use our inner love instinct as our sole motivating guide for everything in life we will never evolve and may even become extinct...or worse...be forced to eat corn products in perpetuity.

Friday, August 15, 2014

Smoke and Sugar


The odd sync web connecting lost planes and people—Lauren Bacall, Robin Williams, and Michael Brown in Ferguson, MO.

It all began on 7/18 I when saw this Twitter post showing the female form as a wisp of smoke.


The same day there was an epic R.J. Reynolds lawsuit settlement awarded to a smoker's widow in Florida.

Note: The feminine smoke figure on the box of Capri cigarettes in this photo.

I had an offhand thought about smoke and air, and how the smoke syncs could be related to The Smoke Monster in the TV show Lost (note: more AIRplanes falling out of the sky this past month in UkraineIran and Brazil).

On 8/4, fellow sync blogger Merovee posted this pic of a man smoking a cigarette with the smoke trail forming a woman's face.

Illustration by Jason Stout.

Turns out, the man in the pic was Humphrey Bogart and the woman was his wife Lauren Bacall.  Bacall passed away a week later on 8/12, the same day as famed comic Robin Williams.

Lauren BAcall (thanks Jason). In ancient Egyptian beliefs the BA was the soul or spirit.

Robin Williams' joyful comedy lifted our spirits in so many ways.  In both he and Bacall's deaths we symbolically see the loss of two original, fundamental creating principles of a divine nature—Beauty and Joy.


Like a lifeless body devoid of the invigorating breath of life (note: BREATH/AIR is choked out by smoke), Form without the animating principle of Spirit/Beauty/Joy...is dead.

On 8/7, Twitter notified me that I had a new follower. When I clicked on it, this was her profile header:


I also noticed a smoke sync on the new HBO series "The Leftovers", a show about the aftermath of a rapture-like event where random people around the world are LOST when they simply vanish into thin AIR.

On "The Leftovers" a weird cult called The Guilty Remnant wear all-white and chain smoke.
In the FAQ of the fictional Guilty Remnant's website they state: “God’s judgment is upon us.
We don’t expect to be around for very long.” Chain-smoking is the GR’s way of showing
the world that they’ve accepted this fact and aren’t afraid to face whatever’s coming.

On 8/9, an unarmed African American teenager, Michael Brown, was shot and killed on the street by police in Ferguson, MO.


Photo of the late Michael Brown wearing a Nike AIR t-shirt.

Protests erupted and soon photos emerged of cops releasing tear gas on crowds of people rioting in the neighborhood.

A Ferguson resident engulfed in a cloud of SMOKE from tear gas.
"Look, he is coming with the clouds..." (Rev. 1:7)

Today 8/15...Ferguson police say Michael Brown was allegedly suspected of stealing a $48.99 box of Swisher Sweets CIGARS.



A Subtlety or the Marvelous Sugar Baby
an Homage to the unpaid and overworked Artisans
who have refined our Sweet tastes from the cane fields
to the Kitchens of the New World on the Occasion
of the demolition of the Domino Sugar Refining Plant
—sculpture by Kara E. Walker

UPDATE - 8/24/14:
Another sugar sync... 
Suge Knight shot at Chris(t) Brown's pre-VMA party



UPDATE - 9/26/14:
Lisa Ling was becoming a SUGAR BABY


UPDATE - 11/11/14:

UPDATE - 12/4/14:
Note: Garner was selling CIGARETTES on the street.

Sunday, January 30, 2011

We All Live in a Yellow Submarine



I was watching the History Channel about a month ago when a documentary came on called The Beatles on Record (produced by Apple Corps Ltd). 

Towards the end there is a part about how Disney made a cartoon based on The Beatles song Yellow Submarine  (see at 2:11 in the Video below).



I really enjoy The Beatles music and the cartoon has lots of pretty, swirly psychadelic colors.


It's also full of Rainbow, Sun, and possibly Egyptian/Atlantean symbology. 


Other than that there's no particular point to this post—just a conglomeration of thoughts.  My brain has been too weighed down lately with earthly cares to do an in-depth sync analysis.

But here's a few Synchro-licious tidbits I did manage to catch:

#1:  According to the documentary, Disney specifically requested the song Yellow Submarine (out of all the other trippy Beatles songs they could have chosen).

The cover shows The Beatles standing on top of a mountain with the submarine underneath it.

Jake Kotze has sychromystically linked Mountains to Pyramids.  And The Beatles group name syncs to the scarab beetle worshipped by Ancient Egyptians as a symbol of the sun god Khepri.


#2:  The Yellow Submarine reminds me of those anachronistic machines pictured in the hieroglyphs of Ancient Egyptian Pyramids.



#3:  Could the Submarine be an underwater symbol linking ancient Egypt to the Lost Civilization of Atlantis which Plato claimed was submerged under the ocean?


So we sailed on to the sun,
Till we found the sea green,
And we lived beneath the waves,
In our yellow submarine
—from the lyrics to the song "Yellow Submarine"

In the cartoon, John defeats the tyrannical "Blue Meanies" by singing the song "All You Need is Love". 

I think that's a particularly appropriate message right now as the people of Egypt, Tunisia, Yemen, and Haiti fight for basic human rights. 


Eventually, The Beatles look through a telescope and see more, even meaner Blue Meanies coming.  They determine "there's only one way to go out: Singing!". 

The cartoon ends with The Beatles singing "All Together Now".


That sounds a lot like President Obama's 2011 State of the Union speech where he said, "We will move forward together, or not at all...".

My vote is for together.

"And in the end the Love you take is equal to the Love you make."
The Beatles

Thursday, December 23, 2010

Soundful---a Synchronistic Word Game. Wanna Play?


Recently I've been toying around with the idea of how Egyptians did not use vowels in their written language. 

I also pondered the phenomena that the human brain can automatically fill in blanks and rearrange the order of words in a sentence to arrive at the most logical combination of words.

If you're a regular reader of any Synchromystic blogs you see that type of thing all the time.  Words, letters, and numbers are flipped and rearranged to reveal astonishing truths, i.e. SON/SUN, RATS/STAR, THORN/NORTH, STARMY/ ST. MARY (just to name a few of Jake Kotze's word flips).

This led me to meditate on the Power of Words.  One word can contain the information for an entire concrete concept in an audiovisual and emotive format.  That's why the Bible states that the world was created by the Logos or Word of God

It's also why visual representations of a company's brand name (created in its image) are called "Logos". (see Logos: The Divine Word of God)


Vowels are a modern addition of convenience by scholars trying desperately to decipher hieroglyphs (Nefer is actually Nfr in ancient Egyptian).

In English you can also remove vowels from sentences and still retain most of the meaning. 

Our brains automatically fill in the missing vowels in sentences like: “Th qck brwn fx jmps vr th lzy dg", replacing incomplete data with familiar concepts.


Similarly, in Hebrew, Arabic, and other Semitic languages vowels are not used in word roots.  Instead, word-stems (roots) are combinations of consonants, which in most cases are unchangeable.

I find it quite interesting that in both Hebrew and Arabic the root word MLK means King.  Today we still associate MLK with the concept of King due to its common usage as an abbreviation for U.S. civil rights leader Martin Luther King, Jr.


Conversely, perhaps one reason King's message of freedom was able to penetrate our hearts and minds is precisely because his name subconsciously resonated an age-old concept already buried there via these ancient languages.

In this sense it's clear that often Names, Titles, and Symbols associated with a person or object are not simply identifiers;  They may also be representations of the character traits of the person or object. 

This was a concept well-understood in ancient times, but often lost in Western thought (see Ancient Hebrew Word Meanings).


For Synchromystic purposes, I've coined the method of interpreting the character of a word Soundful, an amalgam of the phrase "Sound Full of Feeling". 

This name embodies the fact that the visual representation of a word is inexorably linked to the Sound and the Feeling it invokes in the reader.

Soundful can be played as a Brain Exercise:

The Rules are simple: Drop out all the vowels Egyptian-style and make context-based interpretations to arrive at your final answer.  (Click here for complete Instructions)

Here's an Example using a topic of one of my previous posts Larry King as the Object. (see Death of a Raging Bull and All Hail the Larry King)

Object:  Larry King

Visual:  His photo

Symbology:  Suspenders, Glasses

Word(s):  SUSPENDERS, GLASSES

De-Vowel:  SSPNDRS, GLSSS


Concept(s):  People who suspend belief, SS=2S=To, GLSS=Gloss over the truth, SPN=Spin, DR=Doctor

New Word(s):  SU SPIN DR, GLOSS

Answer:  U.S. Spin Doctor
Interpretation:  Larry King was a Spin Doctor for the United States.

In that example, I used Soundful to analyze the symbols (glasses and suspenders) famously associated with Larry King. 

In the following Example, I used it to analyze his actual name:

Object:  Larry King
Visual:  His name
Symbology:  Larry King
Word(s):  LARRY KING
De-vowel:  LRRY KNG
Concepts:  Lore, Liking, Yarn (to spin a yarn), You, Your, RR=2R=To, King
New Word(s):  LORE, LIKING, YARN, YOU, YOUR, TO, KING
Answer:  You spin lore and yarns to your King's liking.

The answer can be interpreted the same as in the first example---Larry King was a spin doctor for his king (the U.S. Government).

Maybe this is crazy weird and only makes sense to me, but I've been having a lot of fun with it and have even revealed some pretty awesome ideas in more important areas.

In my next post, I'll demonstrate how I used this technique to analyze one of Nostradamus' most famous quatrains.

[ Have more good Soundful examples?  Please leave a Comment, I'd love to see them! ]