Leaving Las Vegas

Warning: This may be a stream of consciousness rant post about Las Vegas. Read at your own risk.

It all began with a comment from a sync group member relaying what a Mandalay Bay Hotel employee said today.

His comment sounded strangely poetic, like the lyrics to a sad country song. It got my mind churning about the recent Las Vegas massacre.

You see, from the time I first began regularly visiting Vegas in 2011 I got a very vivid impression that things are not what they seem there.  Everything is fake—from the monuments (Eiffel Tower, Statue of Liberty, medieval castles, pyramid, sphinx, etc.) to the celebrity look-a-likes (clones?).

Vegas is a dizzying mashup of monuments from different places and time periods
that do not belong together.

[ Full disclosure: I'm an Empath. That means I'm extremely sensitive to feelings and energy and often get picture/images in my mind based on the input I receive. ]

While I was in Vegas walking around the MGM Grand I noticed the large number of TV and elite award shows taped live at CBS Television City RESEARCH Center located in the bottom of the hotel.

Television City at the Las Vegas MGM Grand Hotel with the CBS "all-seeing Eye" logo

Suddenly I got an emotional impression that the city itself is the "template" for our holographic reality. That it is the source of the holographic programming "beamed" to our minds. And that it is powered by the energy of all the tourists walking up and down the strip.

In the film "2010:The Year We Make Contact", the Starchild is looking at VEGA, the bright star below Jupiter which is CASTING THE LIGHT ON HIS EYES. This bolsters my idea of Vega/Vegas as the source broadcasting this fake, holographic reality to us.

In the movie "Contact", Ellie Arroway (played by Jodie Foster) travels to the star VEGA where aliens speak to her disguised as a holographic projection of her dead father on a holographic beach.

Arroway quickly realizes what she is seeing on Vega is NOT real.

If you've ever been to Vegas you know the monumentally long, energy-depleting walking and line-waiting required just to get from one hotel to the next by foot. You can feel yourself literally being herded like a cow on a predetermined winding route though each hotel's casino (read: power center).

In this scenario, the Luxor hotel pyramid acts as a capacitor of sorts, storing all the energy from the strip and using it to transmit a frequency to Earth's energy grid.

A frequency that, perhaps, embedded in a holographic signal disrupts our natural circadian rhythm in turn causing death, disease, and other negative traits?

Las Vegas' Luxor pyramid shown constantly emitting a blue light energy/frequency beam.
The shooter was on the 32nd floor of the Mandalay Bay Hotel. A Masonic plot?

According to the Nobel committee, a person's well-being is affected when there is a "temporary mismatch between our external environment and this internal biological clock."

The documentary The Pyramid Code notes the pyramids in Ancient Egypt, in addition to being free wireless clean energy generators (as Tesla later rediscovered), were intended to "spiritualize the whole civilization" by "providing a widespread, high level of energy that people needed because the descending age was upon them".

In other words, the true Egyptian pyramids generated a spiritually-positive high frequency that helped the entire civilization of humanity stay uplifted.

Conversely, the fake Vegas pyramid may be doing the complete opposite—emitting a negative frequency that has dragged our reality deeper into darkness.

So, if the October 2nd massacre is causing everyone to leave Las Vegas, could the terrorist shooter's misguided intent have been to cut off the power to this reality system?

Or maybe to "harvest" some energy for the system but it backfired?

From this angle the Route 91 Harvest Festival appears between
The Mandalay Bay Hotel (left) and the Luxor Hotel pyramid (right).
An energy HARVEST?

Other interesting syncs:

The Vegas shooter's girlfriend Marilou Danley syncs to Miss Philippines from Steve Harvey's (Harvest?) infamous Miss Universe contest debacle in Vegas. The outgoing Miss Universe who had to hand over her crown to Miss Phillipines was named Pauline VEGA. Donald Trump formerly owned the Miss Universe Organization.

The Vegas massacre shooter's first name was Stephen. On June 18 2016, 19-year old Michael STEVEN Sandford tried to assassinate Trump at a campaign rally at the Treasure Island Hotel and Casino in Vegas.

In 2012, JetBlue pilot Clayton Osbon had a psychotic break in-flight and started yelling about "religion and terrorists".

NOTE: The flight number was 191...another number 19/91/911 sync.

He kept trying to explain the correlation between numbers/radio frequencies and "sins" taking place in Las Vegas in regard to Jesus and Al Qaeda. 

The name of the Route 91 Harvest Festival continues the ominous sync since 91=19 backwards.

In terms of who's behind this paternalistic, false pleasure-oriented reality system we've been trapped in, I had a theory that Playboy magnate Hugh Hefner might have been one of its main architects (along with Walt Disney).

Hugh Hefner died on September 27th (five days before the Vegas Massacre) at the age of 91.

With his Playboy Magazine and lavish Playboy Mansion, Hugh Hefner built
an empire on the commercialization of sexual pleasure.

Speaking of pleasure, The Mandalay Bay Hotel looks eerily similar to Biff Tannen's Pleasure Paradise Hotel from the movie Back To the Future Part II where Biff's character is strongly based on Donald Trump. Trump owns The Trump International Hotel in Las Vegas.

(thanks to M. Collett for the Biff Tannen/Pleasure Paradise/Mandalay Bay sync)

The Mandalay Bay Hotel's elevator goes up to the 64th floor although the building itself is only 43 stories. The Trump International Hotel is a 64-story tower. The Vegas massacre shooter Stephen Paddock was 64 years old.  He shot from the Mandalay Bay's 32nd floor, (32 x 2 = 64).

Photo of Mandalay Bay Hotel's elevator numbers
(thanks to fellow synchead W. Keefer for discovering this pic)

On October 1, the same day as the shooting massacre, O.J. Simpson was released from Lovelock Prison and driven to Las Vegas. Simpson's football jersey number was 32 (another 32x2=64 sync).

(thanks to Ronald Christopher Walker for this sync)

Norway and The Big Lebowski

Surprisingly, the movie 'The Big Lebowski' syncs to the recent Norway massacre.

For those who may not know, TBL is famous in the Syncosphere for its many Jesus references as well as several scenes that seem to have predicted 9/11 (for more info see William Morgan's video Man In the Mirror).

Movie scene: Check dated Sept. 11th as President GWB is on TV overhead.

The movie was released in Norway on September 11, 1998—exactly 3 years before the events of 9/11.

Further Norway syncs entrain through the characters of Maude (played by Julianne Moore) and Bunny Lebowski (played by Tara Reid).

The following video clip is a dream sequence from the film with Maude dressed as a Norse Viking goddess.

Toward the end of the movie a private investigator reveals that Bunny Lebowski is really Fawn Knutsen, a teen runaway from Moorhead, Minnesota.

Knutsen is a Norwegian surname.  Moorhead, MN is located in the Red River Valley, an area known for its strong Norwegian heritage. 

It's also the site of some of the flattest, richest FARMland in the whole world.

In the movie scene (above) a photo of the Knutsen family FARM is shown.

Bunny a.k.a Fawn is also seen wearing the Orange and Black school colors of The Moorhead Spuds.  

In Norwegian terrorist Anders Behring Breivik's Facebook photo (below) he's wearing a Black sweater over an Orange shirt.

Breivik's Facebook photo.

Breivik's FARM (where he hid the explosives used in the bombing) is located in the county of Hedmark in Aamot, Norway.

Breivik's farm in Hedmark County, Norway.

The words Moor and Mark can both be used as verbs meaning "to fix" when related to a ship.

Therefore, MOORhead = HedMARK. 

How's that for Synchromystic foreshadowing?

Another sync exists between Moorhead and the name of actress Julianne Moore.  The name Julianne means "son of Jove/Jupiter". 

In this context, Moore/Moorhead suggests a return to the Godhead symbolized by the planet Jupiter (Thanks to Eleleth at the Cosmos Idikos blog for this wisdom).

It is a timely reference since NASA's Juno space probe will be travelling to Jupiter next week on 8/05.

There was also a FARM-related Tweet on July 28th from William Morgan (@satoriallme on Twitter) that helped pull things together for me.

The Farm symbolizes our relationship with the feminine aspect of the Earth.  Bunny a.k.a Fawn KNUTsen resonates the Egyptian sky goddess NUT whose husband is the Earth god Geb.

In a world ruled by Love our relationship with the Earth Mother energy would be symbiotic.  We would cherish her and she would nourish and sustain us, forever.

But in this Fear-based society we continually violate, abuse, and misuse her (i.e. Bunny is exploited as a porn star; Breivik used the Farm to create and store deadly weapons rather than to grow food).

In one final sync-related note, actress Tara Reid was often compared to late singer Amy Winehouse in the media due to her very public battle with Alcoholism.

Winehouse was found dead in her home on July 23rd, the day after Breivik committed the Norway bombing and massacre.

In the movie, Dude Lebowski and his team bowl on Lane 23.  But lanes 23 and 24 (or 42) share the same scoring station—they are opposite sides of the same coin. 

When the Dude agonizes over whether to tell the Truth he is on the 42 side.

When Walter becomes violent and pulls a gun they're playing on the 23 side.

It's up to each of us to choose on which side we wish to play, or, ideally, to acknowledge and integrate the best aspects of both through the process of Individuation.

"Like the anima, the animus does not merely consist of negative qualities such as brutality, recklessness, empty talk, and silent, obstinate, evil ideas.  He too has a very positive and valuable side; he too can build a bridge to the Self through his creative activity...On this highest level he becomes the mediator of religious experience whereby life acquires new meaning."—Man and His Symbols, Carl Jung

In the film one of the dual aspects of the Dude's animus is represented by Walter Sobchak, the temperamental Vietnam vet who also has a loyal and piously religious side.

As usual, a chicken-or-egg type scenario emerges here. 

Did the Coen Brothers realize they were incorporating these deep elements into the movie, or was it simply Synchronicity at work silently in the background?

The Coen Brothers

I tend to believe the latter when it comes to movies mainly because I regularly witness Sync working behind the scenes in my own life. 

But in the words of Walter Sobchak...am I wrong?